Realization  

Stages

-        Selection of contemporary artists with an active interest in occurances on a local, regional, and global basis, with a tendency towards self-analysis, and with an active personal and creative viewpoint.

-        Conducting individual discourse regarding the themes of the project as an attempt to outline the individual presentation of each of the artists.

-        Holding a meeting-discussion of the general theme and presenting/sharing the individual projects orally and in writing.

-        Combining projects with a similar stylistic approach.

-        Realization of the individual projects.

-        Organizing the exhibit.

-        Conducting a public discussion (for the duration of the exhibit) of the theme and the questions raised by the artists in the course of their work.

-        Issuing a bilingual catalog and a multimedia disc which will include illustrations of the works as a final result of the complete composition, along with the process of  their realization – texts, personal preliminary notes, audio and video archives from the discussion and meeting held on the subject of the theme. The catalog will include as an essential part the texts and presentations of the theoretical symposium “Aggression, Auto-aggression, Accident.”

-        Completing a web-site with its own address that will chronicle the stages of development and the final result of the project.

-        Presenting the project as a working plan and its results abroad at appropriate theoretical and art forums.

-        Open stage: developing the project with international participation.

Specifications of style and genre

It is assumed that the contemporary aspects of presenting and perceiving aggression manipulation, auto-aggression, and accident are visually and stylistically defined (pre-defined) by mass-communication. In this respect, the use of means of expression derived from electronic processing and presenting information in accord with the defined and specified stylistics of the press are preferred and encouraged.

-        video art and video installations

-        sound installations and single-channel audio-projects

-        photography (classic, black and white)

-        digital photography

-        interactive multimedia installations and CD-ROM

-        Internet projects

-        printed materials (posters, postcards, billboards)

not excluding   

-        installations and sites

-        conceptual art

-        fine art / sculpture